The Subway is a Creepy Place for Sex.

By Jared Weatherholtz

(I was in the subway and I saw a couple making out.)
The subway is a creepy place for sex.

Stumbling fingers reach to strip bodies of
damp shirts. Heated grasps stretch for
weighty satisfaction—a means to an end. Pumping breasts
cannot find a common beat—don’t care to find
a common beat. One pulse chases another in a personal race
for communal pleasure. He will not stop until he has had
his fill. She will not stop until she has had her
unquenchable desires chipped away at. She will be back for more. He will
hunger again. I am always hungry.
The subway is a creepy place for sex. Tell that to the couple making out up front.


Guilt is not an honest way to make a wage. What sorry mother neglected to tell her daughter that? She left a 12-pack of basic Crayola Crayons in my lap. I stared down at the small, pleasant box from outside of my body. I felt connected. I could not be heartless and refuse to pay the old, misguided lady. After all, her mother forgot to teach her the basics: don’t put out until they pay. Or maybe she’d fooled us all: put out until they pay. The subway is the perfect place for life lessons.


A man prepares his blanket like a Japanese wife—submissive and honorable, kneeling to show respect. He lets each corner fall to its particular side from the center hold, straightening the fabric with the palms of his hands—carefully, so as not to disturb the shards. He lets out a warrior’s cry and begins the ritual beating, a self-inflicted pain for the pleasure of the world. (We are so fucked up.) The dance is rhythmic and smooth, contrasting with the heinous cuts he is inflicting. His torso swivels and strikes, swivels and strikes the green broken glass of the blanket. His back begins to bleed, small gashes like new coats of paint on the scars of old walls. He has no face, and no legs—only a bloody torso that cries poverty. The subway is the perfect place for tragedy.


This place is a dichotomy. I have never felt so alive in a landscape of death.
Steel structures and aged concrete make this jungle a vacuum.
Truth be told, I would go crazy being in here for too long.
And sometimes, at 2am, on my route home, I feel the palms of insanity massaging my column, creeping toward my cerebrum.
But on the landscape of death are lived the lives of thousands, no, millions of art’s master characters. Beauty is never more accentuated than when juxtaposed with its counterpart. Tonight I know that steel and concrete are great hosts of life. The subway is the perfect place for romance.

I am hungry.